项目名称/金科集美嘉悦
Project name/Jimeijiayue
项目地址/中国·重庆
Project address/Chongqing, China
项目面积/130㎡
Gross Built Area/130 ㎡inhucuilin
项目类型/平层
Project type/leveling
设 计 机 构：重庆涛墨设计
Design Organization:TAMO design
设计时间/2023年
Design year/2023
主案设计/王涛墨
Main design/Wangtaomo
设计团队/陈婷婷 曹美麟 李艺冉 赵博
Design team/Chentingting Caomeilin Liyiran Zhaobo
设计内容/硬装设计 软装设计 照明设计 木作设计 机电设计
Design content/Full case design

在东方美学中，“无”或“空”是非常重要的概念，留白不仅给予人们更多想象的空间，更倾向于模糊和含蓄的表达，重视内心的感悟和直观的理解，而非明确的定义。而过于传统的中式并非完全符合当下人群对于品质生活的理解，因此还需要在设计细节中来体现屋主对现代生活的理解和追求。去除多余，保留本质，达到精神上的纯粹和审美上的极致。故而，极简东方在本案中被重新定义，探讨其更加多元的表达方式。
In Eastern aesthetics, "nothingness" or "emptiness" is a very important concept. Leaving blank space not only gives people more space for imagination, but also tends to express vague and implicit ideas, emphasizing inner insights and intuitive understanding rather than clear definitions. However, the overly traditional Chinese style does not fully conform to the current understanding of quality living among the public, so it is necessary to reflect the homeowner's understanding and pursuit of modern life in the design details. Remove excess, preserve essence, and achieve spiritual purity and aesthetic perfection. Therefore, Minimalist Oriental is redefined in this case, exploring its more diverse expressions.

本案中，室内空间的构成简朴、干净、且易于生活，通过大面积的落地窗与室外自然环境产生和谐的共生关系，似有而“无”，因时间、季节的流动变化，以此作为新生活的启示。与此同时，光影、线条、造型、作为空间的一部分，也接纳着时间的存在，沉淀使用过程中的痕迹，这种动态平衡是东方美学重要的组成部分。
In this case, the composition of the indoor space is simple, clean and easy to live. Through a large area of french window, a harmonious symbiotic relationship with the outdoor natural environment appears to exist but "does not exist". Because of the flow and changes of time and season, this is the inspiration for new life. At the same time, light and shadow, lines, and shapes, as part of space, also accept the existence of time and settle the traces of use. This dynamic balance is an important component of Eastern aesthetics.

价值的体现则交给了家具、器物、装饰品、以及那些我们日常会使用到的物品。这种价值是便利的、也是舒适的，更是品质生活的体现。因为，在当代生活状态下，极简东方和空间中的“空”带给我们的是一种生活的态度，而非恪守传统的克制。
The manifestation of value is entrusted to furniture, objects, decorations, and those items we use in our daily lives. This value is convenient, comfortable, and reflects the quality of life. Because in contemporary living conditions, the minimalist East and the "emptiness" in space bring us an attitude towards life, rather than traditional restraint.

所有风格和喜好，都需要通过物化的设计手法去实现。设计师希望通过三个不同角度对空间氛围的营造，来体现出屋主的喜好和感知。
All styles and preferences need to be achieved through materialized design techniques. The designer hopes to create a spatial atmosphere through three different dimensions to reflect the preferences and perceptions of the homeowner.

首先，是通过极简的设计手法带来整体视觉上的氛围感知，运用大量的线条和结构、留白的墙面来构建空间关系。通过大面积的中式格栅来营造出东方的状态，这种状态也与传统文化本源密切关联。同时，运用多种木质家具交织的关系，构建出了温润且多样的空间层次，并与风格上的微妙变化产生强烈的关联。
Firstly, it creates an overall visual atmosphere through minimalist design techniques, using a large number of lines and structures, as well as blank walls to construct spatial relationships. Creating an Eastern state through large-scale Chinese style grilles is closely related to the origin of traditional culture. At the same time, the interweaving of various wooden furniture creates a warm and diverse spatial hierarchy, which is strongly associated with subtle changes in style.

其次，则是通过触感去达到舒适的状态，一切与身体相接触的材质或器物都将与人产生美妙的互动。所以，在家具、器物的选择上，无论是原木、布艺、陶瓷、还是皮料，都将遵循精致、柔软、自然、哑光、且低饱和度的质感关系。而适度地佐以未经打磨的黑色金属烛台进行细节点缀，在提升东方感知的同时又在精神层面适当的“留白”，丰富了空间感知体验。
Secondly, it is through touch to achieve a comfortable state, and all materials or objects that come into contact with the body will have wonderful interactions with people. Therefore, in the selection of furniture and objects, whether it is wood, fabric, ceramics, or leather, they will follow the texture relationship of exquisite, soft, natural, matte, and low saturation. Moderately accompanied by unpolished black metal candle holders for detailed embellishment, it enhances the perception of the East while also leaving appropriate "blank space" on the spiritual level, enriching the spatial perception experience.

最后，通过相对较低的成本，获得梦想中的居住环境，也是一种心理感知上的舒适。设计团队所推崇的有温度的设计，强调不浪费、不过度设计的理念。所有的极简东方美学营造均与屋主实际使用要求及空间功能紧密联系。同时，巧妙的将中式格栅的装饰柜作为整个室内设计的核心与纽带，它不仅是整个设计中最为出彩的戏份，也将东方的氛围烘托到了极致。
Finally, obtaining the desired living environment at a relatively low cost is also a form of psychological comfort. The warm design advocated by the design team emphasizes the concept of not wasting or overdesign. All minimalist Eastern aesthetic creations are closely related to the actual usage requirements and spatial functions of the homeowner. At the same time, cleverly using the Chinese style grille decorative cabinet as the core and link of the entire interior design, it is not only the most outstanding scene in the entire design, but also highlights the Oriental atmosphere to the extreme.

此时此刻，设计的意义便是遵循东方美学留白的理念，在其中找出空间感、氛围感、价值感、舒适感、以及投入产出等关系中的平衡，也为业主带来现代理想的居住生活体验。
At this moment, the significance of design is to follow the concept of Oriental aesthetics leaving space, finding a balance between spatial sense, atmosphere, value, comfort, and input-output relationships, and bringing modern ideal living experience to the owners.

王涛墨

涛墨设计创始人/设计总监/中国建筑装饰协会注册设计师



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设计理念

涛墨设计主张以建筑学的思维

关注空间的艺术性与整体性

重视空间由细节至整